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C1 20 Pro Windows not reading LR generated HDR DNG files

ALBERTO POMARES
I has done the full migration of my LR catalog (160.000+ files) into C1 20 using the auto conversion tool. I just came across there are thousands of images not included in C1 catalog. Tried to import individual carpets, containing LR generated DNG and PANO DNG stitched files and no way to get them. I wish this would be the only issue with C1(a ton) but one at the time. Thanks for any help
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Datum Stimmen
  • Paul Steunebrink
    Those LR generated HDR DNGs and Pano DNGs are not supported in Capture One, unfortunately.
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  • ALBERTO POMARES
    Thanks for the information Paul, that is very inconvenient in the process to migrating to C1, they should resolve that issue.
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  • gb
    Paul_Steunebrink wrote:
    Those LR generated HDR DNGs and Pano DNGs are not supported in Capture One, unfortunately.


    Don't suppose you know of a tool to convert those LR HDR's to normal LR dng's.
    Even in LR those HDR's slow my computer to a crawl.

    Thanks, gb.
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  • ALBERTO POMARES
    NN635332053113721059UL wrote:
    Paul_Steunebrink wrote:
    Those LR generated HDR DNGs and Pano DNGs are not supported in Capture One, unfortunately.


    Don't suppose you know of a tool to convert those LR HDR's to normal LR dng's.
    Even in LR those HDR's slow my computer to a crawl.

    Thanks, gb.



    I guess the only way would be converting the DNG's to TIFF and then importing into C1, but that is tedious.
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  • IanS
    NN635332053113721059UL wrote:
    Paul_Steunebrink wrote:
    Those LR generated HDR DNGs and Pano DNGs are not supported in Capture One, unfortunately.


    Don't suppose you know of a tool to convert those LR HDR's to normal LR dng's.
    Even in LR those HDR's slow my computer to a crawl.

    Thanks, gb.


    I think these DNG files may be linear DNG's with extra LR propriety data written to the file, i.e demosaiced? Effectively 16bit tifs but without the white point set. If you have made all of the major tonal adjustments and set a white point I would just export them to 8bit tifs. 16bits only really matters when you are making large tonal adjustments.
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