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  • SFA, you wrote "I wonder what happens when working with earlier process engines." Great question. I haven't tried to work on any old images because I'm still debating with myself whether to accept ...

  • SFA, you wrote "I found the identification 'on the fly' was very hit and miss for a number of reasons. Pre-selecting a reference point in an edit process makes much better sense in my opinion."The ...

  • SFA, "Which alternative applications are you aware of that that do not use the basic interpretation of the source image as their "before" state?" If I may answer instead of Tzvi: Lightroom allows u...

  • BeO, you wrote "the universal brush, which we have had all the years until 13.0 incl., should not be an additional brush, but the only brush." In principle, I agree. I just thought that it it would...

  • SFA, you wrote "anything can end up anywhere". I have never suggested anything like that. I'm puzzled what makes you think that. You also wrote "I think it is a great idea to insert it as a stand a...

  • I don't know what you mean by "worse for the majority of users" either. I submit that the current design has objectively bad usability. Why let a user allow to make a layer selection, if the latter...

  • SFA, I have no idea what complicated schemes you are talking about. Just imagine the old layers and the old single brush with the only difference being that one can have multiple source points i...

  • What is not intuitive about preserving manually painted mask modifications? Whether you add to a mask or take away from it, your modifications should just live on. In contrast, nothing is intuitive...

  • BeO, we agree that having several parametric masks in one layer is useful. On the subject of rasterisation I maintain it would be better if it could be avoided entirely:Fine-tuning of a parametric ...

  • SFA,I'm sure I answered before, but somehow the post seems to have disappeared. The idea is to keep adjustments for two areas synchronised. Image there are two faces in an image that both need the ...