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Sky Color shift

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7 comments

  • Ian Wilson
    Moderator
    Top Commenter

    On the other hand, Affinity doesn't give you a stitched file in a raw (DNG) format. Nevertheless, it does a good job.

    Ian

    1
  • Ian Wilson
    Moderator
    Top Commenter

    Was there a uniform white balance when they were shot?

    Ian

    0
  • Stanley L. Green

    yes, the problem was that the sky toward the sun is lighter than the sky away from the sun

    0
  • Stanley L. Green

    Incidentally, this set of six images is really part of an 18 image set consisting of 3 rows / 6 panels. C1 v22 did an outstanding job stitching them into a high resolution image

     

    0
  • Ian Wilson
    Moderator
    Top Commenter

    It's not clear to me whether the best thing is to try to achieve a uniform sky before stitching or after. If you changed something between say Image 4 and Image 5 in your sequence, then there would be a glitch at the overlap between the two when they were stitched, perhaps. Maybe it's best to apply a linear gradient to the stitched result from right to left and change it open a graduated basis on that. After all, it does stitch it together as a raw (DNG) file, so there is still quite a lot of latitude. (As long as the last in the sequence isn't so over-exposed that highlight recovery isn't possible. 

    Ian

    0
  • Stanley L. Green

    Thank you. It was easy to make the sky uniform after stitching in C1. But when I tried to stitch in Hugin, I had to go back to C1 to make the sky uniform. When stitching in Affinity Photo, sky uniformity was much better

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  • Stanley L. Green

    Thank you, I was able to improve the sky using the uniformity tool the way you described. I was just hoping there was way to do it before stitching.

    Affinity Photo made a decent sky directly during stitching and C1 made a very good sky after stitching via the uniformity tool.

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