Sky Color shift
I have this set of Raw images that I am stitching into a pano. I shot these images at 9:30 AM, moving from north-northwest to northeast toward the rising sun. As you can see, there is a pronounced non-uniformity in the sky between images 1 and 6. I was able to remove the color shift after stitching, but I would like to be able to achieve a uniform sky before stitching.
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Was there a uniform white balance when they were shot?
Ian
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yes, the problem was that the sky toward the sun is lighter than the sky away from the sun
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Incidentally, this set of six images is really part of an 18 image set consisting of 3 rows / 6 panels. C1 v22 did an outstanding job stitching them into a high resolution image
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It's not clear to me whether the best thing is to try to achieve a uniform sky before stitching or after. If you changed something between say Image 4 and Image 5 in your sequence, then there would be a glitch at the overlap between the two when they were stitched, perhaps. Maybe it's best to apply a linear gradient to the stitched result from right to left and change it open a graduated basis on that. After all, it does stitch it together as a raw (DNG) file, so there is still quite a lot of latitude. (As long as the last in the sequence isn't so over-exposed that highlight recovery isn't possible.
Ian
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Thank you. It was easy to make the sky uniform after stitching in C1. But when I tried to stitch in Hugin, I had to go back to C1 to make the sky uniform. When stitching in Affinity Photo, sky uniformity was much better
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Thank you, I was able to improve the sky using the uniformity tool the way you described. I was just hoping there was way to do it before stitching.
Affinity Photo made a decent sky directly during stitching and C1 made a very good sky after stitching via the uniformity tool.
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On the other hand, Affinity doesn't give you a stitched file in a raw (DNG) format. Nevertheless, it does a good job.
Ian
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