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Color management in C1

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3件のコメント

  • Lars Hennings
    Hi, may be I don´t understand you. But I think the *.icc is set by giving out a pic as you have them on the computer. Reg. lars
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  • SFA
    NNN637020839421876537 wrote:
    Hello everyone,,
    Long term LIghtroom, and other Adobe product, user here. I've been using C1 for about six months now and it's become my primary RAW development tool recently.

    I've spent a lot of time watching videos, reading the manual, blogs and forums and I have only one really burning question at this point. How do I set up and verify color management in C1? My background is in commercial printing so I don't need an explanation of the basics. I just can't find any resources that really explain how C1 handles color management.

    What is the purpose of the Proof Profile? Is it for Soft Proofing? What should it be set to? If it's for Soft Proofing why does it allow me to choose RGB color spaces and Monitor profiles? Should I choose my display profile? A standard color space profile like sRGB or AdobeRGB? A target output printer profile? What does C1 do if I choose "No Proofing"? Should I see any change at all of how the image is displayed when I switch between these profiles?

    I have no problem digging into a technical manual, I'd love one honestly, but I can't find any canonical information on this topic.


    As a starting point - have you seen this Help information?

    https://help.phaseone.com/en/CO12/Outpu ... ipes#item5


    Also this webinar might be helpful especially the section on proofing at around the 15minute mark.

    https://www.youtube.com/watch?v=pmvYid9PCOM
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  • Lars Hennings
    Hi, can you help me to understand the ICC, please.
    The camera (x-pro2) is able to give an ICC (sRGB or Ad.98). This ICC will only used by JPG, isn´t?
    If only used RAF it includes, if Fuji, a film-icc. C1-12 read it (not the other one) if AUTO or the choosen. Or C1 sets "film-standard" (what seams to be the same as Fuji Neg-St.). Than C1 develops (Fuji) with the included Fuji AND, may be, some setting given by C1. To the end C1 gives the ICC as set in the output frame. If that will work is to test with the proofing tool before.
    Is that the way? Thanks, lars
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