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Dynamic Range and Capture One

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3件のコメント

  • Dillon
    I imagine your full answer can only come from Phase One. If this is possible, I'm all for it.

    The possibilities for Photoshop masks are endless. I've spent hours, days and weeks, exploring the various methods used to blend the exposures created with C1. Most existing techniques that I found were disappointing. As a matter of fact, they were not usable for a commercial photo level. The typical being, \"spray an area on the mask that reveals the unlaying layer\". Many of my architecture shots involve extreme lighting situations, every file that I process uses 3 exposures. Minimum.

    The most promising technique incorporates pasting the actual underlying layer, into the above layer mask. The results have been superior to any other method that I found. I have adapted a variation of the link below.

    http://studio.adobe.com/us/tips/tip.jsp ... s8contrast

    Are there any other methods that our users would like to share?
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  • Dillon
    Also...
    This link has a nifty little trick with the alt key for blending layers.

    http://studio.adobe.com/us/tips/tip.jsp ... &id=100928

    Layer \"blending\" is suitable for 20 to 40% of my images. Many times the pixels leave \"remants\" that are not correctable. Used in combination with the previous method, the results can be very nice.
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  • Eric311
    \"Layering\" would be quite a complicated new feature - you'd have to be able to blend the 2 (+?) versions in the focus window to really see what you're doing, be able to manually adjust the blend, etc... Ultimately you need a whole host of features that today Photoshop does best... (This doesn't mean I'm against it though...)

    To me, photoshop is highly proficient at doing these things, with the above-mentioned tricks, masks, channel mixers, etc... Any quality issues should be solved by working in 16 bits per channel...
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