Panasonic S1H Dark RAW Images
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I don't know the camera, but does it have a "protect highlights" setting?
This is usually achieved by under-exposing the file by a stop or two, then the camera/Panny's Raw converter applying a curve to bring it back a nominal correct exposure.
In Raw converters that don't recognise this setting, you simply present a very under-exposed file to the software.
I imagine that Capture One would be in that category, in which case you need to turn the setting off in camera.0 -
Good idea- I always go through the settings and turn off any gimmicky settings like that and just combed through each of the menu settings to see if I missed a something hidden in a sub-menu, but wasn't able to find anything like that. Also just looked up "protect highlights" and S1H, but wasn't able to find anything helpful.
Thanks for the theory, though- definitely sounds like that's what's going on especially since the first moment C1 acknowledges the image, it looks like a beautiful RAW image.0 -
NNN634520008922911981 wrote:
Thanks for the theory, though- definitely sounds like that's what's going on especially since the first moment C1 acknowledges the image, it looks like a beautiful RAW image.
It will initially display the "correct" embedded jpeg from the Raw before then showing the Capture One rendering, which is why I thought of the highlight protection idea.
Not sure what to suggest next, but if you could make a Raw file available, I'd be happy to have a look.0 -
Are you shooting in v-log profile? If I bring a v-log profile shot into C1 it is very dark, looking at the luma curve everything is sitting in the left hand third of the chart. Upping the exposure by 3 times seems to put it back to normal.
Other picture modes seem fineRob
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I have this same problem with dark RAW images on my Nikon D750. They appear bright in camera and for a second while importing, but quickly turn very dark. Not sure what is going on... I am shooting with a flat RAW profile in camera.
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@rob
I was. I did a test with the other color profiles (like RAW+v-log and RAW+CINEV) and found the non-log color profiles dealt with my exposure problems properly. Increasing the exposure 3-stops messed with the quality of the color immensely, so I'm glad I was able to figure this out.
I was coming from Canon where color profiles weren't something I had to deal with (RAW just meant RAW), so I assumed that was the case with Panasonic.
@tuukka
I don't use Nikon, but I would assume your problem is similar. Try keeping the image as RAW, but try the other color profiles to see if that helps.
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