Skip to main content

⚠️ Please note that this topic or post has been archived. The information contained here may no longer be accurate or up-to-date. ⚠️

Processing infrared

Comments

4 comments

  • Kevin Pinkerton

    I shoot a lot of infrared from 580nm up to about 850nm. I agree with you on the faux color and channel swapping. I do not use PS, but I can do channel swapping via another editor I use. The biggest problem with that path is that I loose my raw file and have to work out of a tiff file. Fortunately I do not do much channel swapping. And I have played around with hue shifting in C1 to some degree of success and have some presets for the Color Editor tool that will do a pretty good job of swapping red and blue... 

    Here is what I do:

    1) I prefer to set the WB in the camera (I shoot raw) by using green grass, or green foliage. This give me a really good starting point and most of the time, I just leave the WB alone in C1. However, if I do need to set the WB in C1, I use the dropper and select the same subjects in the image (green grass or tree leaves). I have found that white or gray cards do not do it for me.

    2) I change my Preferences/Exposure Levels Tool Channel to "Red, Green, and Blue Channels" instead of the normal "RGB Channel". This often makes a notable difference on some IR filters. Then I do an auto adjust for everything except the WB and autorotation  This is my starting point for editing.

    3) Sometimes I set the image to B&W, and if I do, I test each color sensitivity slider in the B&W Tool by moving them to each end of the control points. 

    0
  • Niels Kistrup

    Using a Sony a6300, with a full spectrum conversion performed by Life Pixel.

    Easiest way with an 830nm filter, is to set the custom white balance, using the ExpoDisc 2.0 (https://www.bhphotovideo.com/c/product/1073251-REG/expoimaging_expod2_82_2_0_82mm_white_balance.html ).  Then import into C1, applying the Landscape - Color 2 built-in adjustment.

    Only thing to decrease the Exposure, which C1 has a tendency to overdue, especially when there is lots of clear sky (which is all black).

    This technique is useless for these filters:

    • Kolari Vision's IR Chrome ==> Have had some luck w. some of the fluorescent white balances
    • Spencer Camera's Ultra Blue 
    • Singh-Ray's 690nm

    Just tried that filter today, with a rented Tamron 28-200.  Funny thing about the 690nm filter, is that the ExpoDisc 2.0 picked 2700 degrees Kelvin as color temperature, but C1 changed it to < 1900 degrees.

    Niels

    0
  • FirstName LastName

    I have a fuji xt-2 infrared conversion 590. I used to used adobe Dng profiler. Unfortunately adobe has stopped supporting the program and my mac won't open the app.  I can process the files as b/w in lightroom or capture 1...but would welcome alternative ideas

     

    0
  • Mike Schofield

    I'm hoping Kevin Pinkerton is still active within C1. If so, Kevin, can you give a bit more explanation about your method for I/R false colour channel swap? I have found the bit about Preferences and switching to red, green and blue, but am lost at the point you mention 'Auto adjusting' onwards. I have requested a facility for channel swapping on C1 as in PS6 on a couple of occasions. Sadly no success for my software. (It is so simple to achieve the effect I'm aiming for in PS6.) I cannot get anywhere near the same using C1. Sadly I'm at a stage now where I may have to ditch my current Mac as it hasn't been updated, if I do an update I will loose my current PS6 and C1 programs because I have refused to go down the subscription path. I am a hobby photographer and would never recoup subscription monthly payments for PS6, so I have tried to hang on for as long as possible. I have no intention of changing my cameras, so I have no need for anything else. Kevin, please make contact, any info would be greatly welcomed.

    0

Post is closed for comments.