You know how to get frames onto the screen. This one is about what happens in the 40 minutes after that, when the client wants to see something and the shoot is still running.
Tom Barnes pushes the basic portrait setup into the tools he leans on for bigger jobs: AI-assisted masking and cropping to get a frame close to final fast, and shared review so the art director stops reading over your shoulder.
Comments
0 comments
Article is closed for comments.